Three people walked into the gallery early today.

A framed picture of a magnolia in flower in front of a red brick house under a blue sky, with a red dot on the frame.

Originally posted on Instagram, 20 February 2025.

Three people walked into the gallery early today.

A couple, with their grown-up daughter.

They introduced themselves as readers of my newsletter.

And we talked about this picture.

I said I hadn’t intended to get it printed*. I thought nobody would like a picture of a house with a boarded-up window.

Which is bonkers, now I think about it.

I walk past that house nearly every day with my schnauzer, Peanut.

The window was boarded up for nearly a year. And I worried about the people living there.

When the magnolia came into flower it looked great – despite standing in front of a house with a boarded window.

(Or because?)

So I made this picture on my iPad.

After we’d been talking for a while, my friends the newsletter readers went away.

“Bye!” I said. Thank you for coming.”

But they had only gone to the cafe downstairs.

After a while they returned and said they wanted to buy the picture.

I watched as they placed a red dot on the frame.

-

I’m constantly surprised that pictures I don’t think will appeal to anyone turn out to be well liked.

In this case I’m obliged to consider the possibility that brokenness is an attraction, rather than a downside.

-

“Magnolias of Hampstead”
27 pics by John-Paul Flintoff
WHERE Burgh House, New End Square, London NW3
WHEN till Sunday 23 Feb
10am – 4pm

All the digital work in this show is available to purchase.

Each one is in a limited edition of seven numbered and signed prints on archival A2 Hahnemuhle German Etching paper.

Shipping worldwide.

Thank you for looking.

*Why did I get it printed? Because I was worried I didn’t have enough pictures to show.

@burghhouse1704

-

If you enjoyed this post, please consider sharing it by email or on social media. Here's the link. Thanks, JPF.